In ‘Fatherland,’ the Iraq Pavilion exhibition at the Venice Biennale, the artist Serwan Baran explores the nature of war, patriarchy and militarism, based on his own experiences as a soldier in the Iraqi army in the1990s. Yet decades of ongoing war, Baran says, has also impacted Iraq’s nature and ecology. “Baghdad was once a green…

Serwan Baran’s The Last General (2019), a new commission unveiled at the Iraq Pavilion at the Venice Biennale, depicts the corpse of an army general floating on a reed boat. As visitors enter the Pavilion’s first room they stumble on the clay and resin sculpture. The general’s body appears rested, but his head drops backwards,…

In a recent interview, the Iraqi-Kurdish Serwan Baran said of his new exhibition for the Iraq Pavilion at the 58th Venice Biennale: “I want viewers to be witnesses to the crime, to understand what it means to have lived a lifetime of conflict.” The artist’s new commission for the exhibition The Last Meal (2019) depicts…